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This shocked and saddened us, despite the act of tin rattling being a bit of a parody. The money was used to develop stationery feeling empowering, pride filled mottos for disabled people.

Christina Perri - A Thousand Years [Official Music Video]

Disabled activists speaking up about the problem with Me Before You showed people that we want to be heard, and that we want the film and TV industry to change. The media took notice. Me Before You is one of many films and TV programs to portray disability as a tragedy.

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The only reason Will Traynor wants to end his life is because of his disability. Whilst none of these narratives bear any correlation to my life, they do have a very direct influence on how I am treated and viewed by others. One of the issues I had with Me Before You was that a non-disabled actor played a disabled character. This is an ongoing problem in TV and film. These films are about us…without us.

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Pleasingly, Channel 10 show Neighbours is extending its commitment to diversity inclusion by casting former Prisoner actor Kate Hood as Maxine Cowper. Kate is a wheelchair user, and a very experienced actor. Kate said. And there is the nub of it for me. At last a major Australian TV series, which is seen globally, has taken the step of casting a disabled actor to play a disabled person. Espace Pro PNB.

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Mon Panier. Ma Liste. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun tea shop and she knows she might not love her boyfriend Patrick. What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps her sane.

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Will Traynor knows his motorcycle accident took away his desire to live. He knows everything feels very small and rather joyless now and he knows exactly how he's going to put a stop to that. What Will doesn't know is that Lou is about to burst into his world in a riot of colour.

And neither of them knows they're going to change the other for all time. After You Lou Clark has lots of questions. Like how it is she's ended up working in an airport bar, spending every shift watching other people jet off to new places. Or why the flat she's owned for a year still doesn't feel like home. Whether her close-knit family can forgive her for what she did eighteen months ago. Sharon Ballard as Hotel Receptionist. Lily Travers as Karen. Chuku Modu as Mauritian Waiter. Verity Marshall as Anna. Manuel Severi as French Waiter. Jun 17, Rating: 1. Jun 7, Full Review….

Jun 3, Full Review…. Aug 20, Full Review…. Apr 12, Rating: D- Full Review…. Feb 12, Full Review….

Me Before You

Jan 9, Full Review…. View All Critic Reviews Jan 26, Desperate for a job Lou Clark takes a position as a caretaker for a rich family's paraplegic son, and when she learns that he has made plans to commit physician assisted suicide she becomes despite to find a way to make him enjoy life again. Clarke and Claflin both give very strong performance and have good chemistry together. And the script is especially well-written; exploring physician assisted suicide without making judgments or coming off as heavy handed.

Thea Sharrock's directing style is also rather impressive, as is the soundtrack and score which compliments the tone remarkably well.

A little unconventional, Me Before You is a thought-provoking drama that addresses some interesting issues. Dann M Super Reviewer. Jan 20, Anthony L Super Reviewer. Aug 17, It's a very cutesy romcom that is bound to make you smile and weep! Film C Super Reviewer. Aug 09, Free-spirited and quirky Louisa takes a job as companion to quadriplegic Will Traynor who is now surly and disheartened about losing his once charmed life.

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Usually daunting Emilia Clarke is adorably giddy, and Sam Claflin is Sam Claflin, the handsome asshole with a sensitive soul underneath. The love story is quite predictable, but there's a second-act moral conundrum that provides some suspense. What's utterly stupid about this movie is that despite Lou being the ostensible protagonist, she is STILL merely a supporting character in her own story.

The central moral question of the film is Will's, and everything Lou does is in aid of that plotline. It's not even clear how and when she falls in love with Will. It's never talked about, and she lacks the agency to leave or at least tell off her well-meaning but clueless boyfriend or to follow her dreams of fashion school.

I'm also chafed because Will tries to pilot Lou's life from the start: telling her what movies to watch and how to wear a dress with confidence I mean, really?! She's already smokin'! He also obnoxiously calls her by her last name "Clark" all the time, which any girl who's had a middle school crush on that cool skater boi knows is a familiarizing but controlling tactic that makes us happy and hungry for his approval.

Was Will always this arrogant and patriarchal? Was his life truly charmed? That seems to be a better dramatic question, but the movie would still be about him. Lou is defined by the men around her, and that still seems to be the case from the synopsis of the sequel novel in which she meets a new man who helps her get over the erstwhile "You.

Alice S Super Reviewer. See all Audience reviews. William Traynor: A wind concerto? Louisa Clark: I've been assured it doesn't involve farting. Louisa Clark: You'll think I'm insane! William Traynor: That ship has sailed, Clark. William Traynor: I don't want to go in yet. I just want to be a man who's been to a concert with a girl in a red dress. Louisa Clark: I thought, briefly that I would never feel as intensely connected to the world, to another human being as I did at that moment.

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